Cultureel erfgoed

  • Lucie LAMBRECHT leverde samen met Marie-Sophie DE CLIPPELE een artikel voor het tijdschrift ART ANTIQUITY AND LAW, Volume XXI, Issue 2, juli 2016, getiteld "Enforceability of Vesting Laws: Proceedings before the Belgian courts".

 

  • Lucie LAMBRECHT is auteur van het Belgisch hoofdstuk van "The Art Collecting Legal Handbook”, uitgegeven door Thomson Reuters met co-editors Bruno Boesch and Massimo Sterpi, mei 2013. Zie ook de recensie van Henry Bounameaux in het dagblad L’Echo van 25 september 2013 met betrekking tot “The Art Collecting Legal Handbook” (link naar L'Echohttp://www.lecho.be/r/t/1/id/9403105). De tweede, bijgewerkte en herziene uitgave van dit handboek werd gelanceerd tijdens Art Basel in juni 2016. De uitstekende introductie van deze nieuwe uitgave is van de hand van Marc Spiegler, Algemeen Directeur van Art Basel.

 

  • Marie-Sophie DE CLIPPELE en Lucie LAMBRECHT, "Art Law & Balances. Increased Protection of Cultural Heritage Law vs. Private Ownership: Towards Clash or Balance?", International Journal of Cultural Property (2015), volume 22, issue 2-3, pp. 259-278 (http://journals.cambridge.org/repo_A99ifOIDtfSWHo) (Abstract: Private ownership and cultural heritage protection are two interests in continuing tension. The traditional conception of property right is based on an absolute individual right to the peaceful enjoyment of possessions. However, interference in this right may restrict its exercise and impose charges on the owner, such as classification measures and conservation easements. This paper formulates a hypothesis about an increased protection of cultural heritage along with that of private ownership. Against the background of a complex constitutional allocation of cultural powers, Belgian law provides a pertinent illustration of this development. At the one hand, Belgian governments have been adopting more extensive legislation protecting cultural heritage. On the other hand, Belgian courts, traditionally reluctant to recognize any compensation right when the protective measure only restricts the ownership, gradually appear to undertake a more thorough analysis of the fair balance between the conflicting interests, notably in favor of the owner. The authors gauge the merits of a new model of cultural heritage protection.)

  • M.-S. DE CLIPPELE, « Quand l’équilibre devient art – Le Conseil de l’Europe et la balance des intérêts des propriétaires et de la collectivité en matière de patrimoine culturel », R.T.D.H.¸2014/3, pp. 913-936.

 

  • M.-S. DE CLIPPELE, "Quand l’art ouvre la voie au droit : le Palais Stoclet", Journal des Tribunaux, 26 januari 2013 - N° 6506, p. 49.

 

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